Interstellar, the Christopher Nolan movie (co-written by himself and Jonathan Nolan), is the sort of science fiction movie that comes along very seldom these days… unfortunately for all of us. In an entertainment market that will go out of its way to throw boy wizards, zombies and Klingons at ravenous audiences—but turn up its nose when someone offers real scientific content—Interstellar strives to hit some notes that are rarely touched by Hollywood anymore. But as those science notes are nested within some of the more well-known notes preferred by Pop Movie 101 aficionados, this movie does a great job hitting the right notes at the right times.
(Spoiler-free review follows)
Verdant Pioneers was a real page turner for me. I haven’t read a ton of space operas, but I have to imagine this story is one of the better ones. Take a look at the description.
The city-satellite Verdant has spent a year out in deep space, moving from system to system in search of the raw materials it needs to survive, fighting off terrorist factions that seek to force their return to Earth influence, and unsure of Earth’s state. No one on Earth knows Verdant’s status, either, and both sides are afraid of aggression from the other.
And when the deep-space discovery of the age is spoiled by the unexpected disappearance of one of their freighters, Julian Lenz and his staff must make a difficult decision: To take Verdant into hiding, perhaps forever; or to return to Earth, and risk Verdant’s survival.